Production stays with us. Cameras stay at the venue.
We receive video and audio from the venue, produce the complete programme in the SAT Plus control room and deliver the final feed to television, streaming platforms or event screens.
Remote commentary and complete remote production
PTZ / ENGrobotic or operated camerasIP / Fibre / 5G / Satelitcontribution from the venueSAT Plusremote control room
Operating models
From one remote commentator to a complete television crew
Remote Broadcasting can replace only the commentary position or move the whole production workflow away from the venue.
Model 01
Remote commentator
The commentator works from a prepared SAT Plus commentary position while picture, international sound and talkback arrive from the venue.
Low-latency programme preview and return audio.
Commentary microphone, talkback and communication with the director or producer.
Audio mixing, synchronisation and delivery of the finished commentary track.
Suitable for sports, e-sports, international feeds and language versions.
Model 02
Complete remote production
Only robotic cameras or a local camera operator remain at the venue. Directing, vision mixing, audio, graphics, replay, recording and output distribution take place at SAT Plus.
Remote control of PTZ cameras or communication with local camera operators.
All camera feeds, embedded audio and return signals transported over IP or fibre.
Programme production in the SAT Plus control room with graphics, replay and recording.
Final feed delivered to television, streaming, social networks or venue screens.
Model 03
Equipment on site, control from the studio
Camera operators and technical staff are present at the venue, while directing, switching, audio and graphics are handled remotely from the SAT Plus control room.
On-site camera operators and local technical crew.
Remote directing, vision mixing and audio from the SAT Plus control room.
Graphics, replay and recording handled centrally at SAT Plus.
Suitable for events requiring a technical crew at the venue with centralised production.
Signal path
How complete remote production works
01
Venue
Robotic cameras or local camera operators capture the event.
02
Contribution
Camera feeds, audio and return paths travel over IP, fibre or bonded networks.
03
SAT Plus control room
The director, vision mixer, audio, graphics and replay team produce the programme.
04
Distribution
The finished output goes to television, streaming platforms or event screens.
Why remote
Less equipment and crew at the venue
The same control-room team can service repeated events from one technical base.
Lower travel, accommodation and on-site infrastructure requirements.
A consistent production standard regardless of the event location.
