All OB vans and solutions
Television broadcasts

4K Ultra HD OB van for television production

Complete facilities for live broadcasts, sports, studio formats and multi-camera productions, with ample space and comfort for the production team. Vision mixing, replay, graphics, camera shading and audio are integrated into one compact solution with three separate work areas.

4K / UHD production 3 separate work zones Live television production
12x UHD CCU SONY HDC camera chain
40x UHD SDI 4M/E video switcher input
Lawo digital audio mixer mc²36
2x EVS super Slo-Mo replay system
2x UHD CG graphics generator
12x seats job positions
4x UHD Player video player
12x UHD Recorder disk recorder
Overview

Modern OB VAN with three separate workplaces

Complete technical facilities for live broadcasts, designed for efficient production management, high image quality and comfortable working conditions for every team.

Basic information

  • 12 SONY HDC 5500 and HDC 3500 studio cameras
  • 4M/E video switcher with 40 inputs
  • Lawo mc²36 digital audio mixer
  • EVS super Slo-Mo replay and additional replay servers
  • Two graphics generators
  • Four video players
  • Twelve UHD disc recorders

Typical deployment

The OB van is ready for sports coverage, studio production, multi-camera and music events, and any production that needs vision mixing, replay, monitoring and audio in one compact unit.

Sports broadcasts Studio production Replay UHD production International production Concerts
Interior layout of the SAT Plus 4K OB van
Production zones

Monitor wall and work zones

The interior gives the production, audio and engineering teams their own dedicated space while keeping everyone connected within a single workflow.

Production monitoring

  • 1x 55" LG OLED55CX screen for PGM
  • 2x 49" LG 49NANO86 screens for multiview
  • 13x 27" Dell U2720QUHD monitor from matrix system

Work arrangement

Three separate work zones give the director, audio and engineering teams enough room to focus during production without distracting one another.

Production overview

The layout of the monitors supports quick orientation both in the input and working signals, as well as in the main PGM output. The display also includes technical information about the course of the produced event.

Vehicle parameters

OB van and support vehicle specifications

The main transfer vehicle is complemented by a support vehicle to provide technical support and logistics.

OBVAN Truck

License plate numberCZ 7J0 3980
ModelDAF LF230FA, PX7-172kW, EURO 6D
VehicleBox 12t truck with three separate work zones
Year of manufacture2023
Dimensions11.20 m x 2.55 m x 3.9 m
Production dimensions13.50 m x 4.5 m x 3.9 m
Power supply3× 420V AC, 32A, 5pin, 50 Hz, UPS
Air conditioningIndependent air conditioning for each zone
HeatingIndependent heating of work zones

Support VAN

License plate numberCZ 1TH 6637
ModelCITROEN JUMPER
VehicleBox van
Year of manufacture2018
Dimensions6.0 m x 2.5 m x 2.6 m
Production dimensions8.0 m x 3.5 m x 2.6 m
Power supply1× 230V AC, 16A, 50 Hz
HeatingIndependent cargo space heating
Cameras and lenses

Camera chains and lenses

The lineup supports standard studio and sports production, including box-style telephoto lenses, standard and wide-angle lenses, additional robotic PTZ or compact cameras, cranes, Steadicams and drones as required.

Camera chains

  • 6 times SONY HDC 5500HD/3G/4K studio broadcast camera
  • 6 times SONY HDC 3500HD/3G/4K studio broadcast camera

Lenses

  • 1x Fujinon UA107x8.4BESM 4K box lens with extender
  • 1x Fujinon UA80X9BESM 4K box lens with extender
  • 1x Fujinon HA42x9.7BERD-U48 optically stabilized superzoom
  • 6 times Fujinon XXXX with extender
  • 3x Fujinon XXXX with extender
  • 2x Fujinon ZA22x7.6BERD with extender
  • 2x Fujinon ZA12x4.5BRD wide angle lens
  • 1x Fujinon ZA12x4.5BERD wide-angle lens with extender
  • Other lens configurations on request

Optional equipment

  • Micro Studio Camera 4K
  • Professional SONY PTZ cameras, autotracking, REMOTE Controller
  • Professional Panasonic PTZ cameras, REMOTE Controller
Video switchers

Main and backup production switchers

The heart of the video management is the main 4M/E 40-input UHD switcher with a 2M/E panel supplemented with a backup solution and separate control panels for reliable operation.

Main switcher

  • ATEM Constellation 8K 40-Input 12G 4M/E UltraHD switcher
  • Multiformat: 1080i50, 720P50, 1080p25, 1080p50, 2060p25, 2060p50
  • 4:2:2 sampling, 10-bit color accuracy
  • Color spaces REC 601, REC 709, REC 2020
  • 4x UltraHD multiviewer
  • 40x format scaler and frame sync on each input
  • 16x UltraHD Chroma/Linear/Luma key, 2x downstream keyer
  • 4x Stinger, 4x DVE transition keyer

Backup switcher and panels

  • ATEM Broadcast Studio 20-Input 12G 4M/E UltraHD switcher as backup
  • 2x UltraHD multiviewer
  • 4x UltraHD Chroma/Linear/Luma key, 2x downstream keyer
  • 1x Stinger, 1x DVE transition keyer

  • ATEM 2M/E Broadcast Panel with 20 tri-color crosspoint buttons
  • ATEM 1M/E Advanced Panel with 10 tri-color crosspoint buttons
Video monitoring

Monitoring, servers and video transmission

The video part covers monitoring, graphics, playback and replay so that it is ready for quick live deployment and long transmission days.

Video monitoring

  • 3x KVM-2460D HD P3 Grading 12-bit LCD Monitor
  • 3x KUM-2410W 4K HDR 12G-SDI 10-bit LCD Monitor
  • 1x KUM-2710W 27" 4K HDR 12G-SDI 10-bit LCD Monitor

Servers

  • 2x smartCASTER full multichannel playout and CG system
  • 2x EVS 8channel replay server, 2x remote console
  • 2x vMix Replay server, 8x HD-SDI input, 1x UltraHD output

Wireless video transmission

  • ikan Blitz 3000 3G-SDI / HDMI wireless video transmitter & receiver

Suitable for connecting and expanding transmission options outside fixed cabling.

Audio production

Audio control room, monitoring and microphones

The audio control room supports a complete multi-channel mix, including commentary, presenters, interviews and an international sound track carrying the event atmosphere.

Audio mix and monitors

  • Lawo mc²36 Digital Mixer + stage box
  • Capacity 864 channels, 256 DSP channels
  • 96 summing and 96 aux buses
  • 32 motorized faders
  • ST2110, AES67, RAVENNA and MADI support
  • 2x Genelec 8030CP in the sound area as the main studio monitor
  • 2x Genelec 8020DPM in the sound area for monitoring
  • 2x Genelec 8030CP in the production zone
  • 2x Genelec 8020DPM in the engineering zone

Microphones

  • 7x RODE NTG3 studio shotgun microphone, super-cardioid
  • 7x Rode Blimp MkII windshield system
  • 2x Sennheiser ew300 G3 wireless lavalier microphone (G)
  • 2x Sennheiser ew100 G3 lavalier microphone (G)
  • 2x Sennheiser ew300 G3 hand microphone (G)
  • 2x Sennheiser ew100 G3 hand microphone (G)
  • 4x IEM G3 in-ear monitoring receiver (G)
  • 2x IEM G3 in-ear monitoring receiver (C)